Showing posts with label Mann. Show all posts
Showing posts with label Mann. Show all posts

Thursday, January 26, 2012

Tracing Some of the Jenkins Ancestors of the Late Hon. Edgar L. Jenkins

A search through the 1834, 1840 and 1850 Union County, Georgia census records did not yield a single family with the last name of Jenkins. Where then did the Jenkins ancestors of our late Honorable Edgar Lanier Jenkins, sixteen years our Ninth District of Georgia U. S. Representative, originate?

Edgar's paternal grandfather, Patterson Levi Jenkins (1855-1910), moved to Young Harris, Georgia in Towns County in 1906. He and his wife, Mariah Louisa Sawyer Jenkins (1857-1950), moved from near Robbinsville, North Carolina, Graham County, shortly after Christmas in 1906. The move was necessitated by the building of the Santeetlah Dam and the land the Jenkins family lived on in North Carolina was sold to be a part of the development for hydro-electric power for that area. Mr. Jenkins, known as Pat, had been a merchant in Robbinsville, and that was his goal in moving to Young Harris. Through his friend and fellow merchant in Towns County, Mr. Tom Hunt, Pat Jenkins was encouraged to move to Young Harris. Pat had purchased a large house and store from Mr. C. A. Webb on grounds now owned by Young Harris College. There he settled his family and opened the Jenkins Store.

Imagine the adventure of riding four days and camping out three nights along the wagon road as the Jenkins family went in the dead of winter from Robbinsville to Young Harris. It must have been a general migration, for accounts list the entourage as a "wagon train." Who the others were that made the trek with the Jenkins family, this writer does not know. In the wagon(s) were as many of their household goods as they could pack, merchandise from Pat Jenkins' store he had to close in Graham County, NC, and also his family: Pat himself, his wife Maria Louisa, and children Mary Elizabeth (b. 1888), William Robert (b. 1890), Nora Belle (b. 1892), Thomas Judson (b. 1896), Archie Jackson (b. 1901) and Charlie Swinfield (b. 1904). The couple had to leave behind the graves of their first two children, daughters, the first who died at birth and the second who died at twelve days of age. Two more children were born to Pat and Mariah Louisa in Young Harris: Nannie Ellen Ethel Jenkins was born in 1907, and Patterson Levi Jenkins, Jr. was born in 1910, but this namesake of his father, like the firstborn child in the family, died at birth. Seven of their ten children grew to adulthood.

Going back a generation from Pat and Mariah Sawyer Jenkins, his parents were Jonathan and Rachel Hyde Jenkins. Mariah's parents were Thomas Patton and Margaret Jane Stillwell Sawyer. Pat and Mariah were married in Graham County, NC on January 24, 1844.

Edgar Jenkins' father was Charlie Swinfield Jenkins, born March 4, 1904. He lacked not quite three months being three years old when the Jenkins family arrived in Young Harris by wagon train in December of 1906. In their eagerness to unload and get into the "Jenkins House" (the former Webb house), the parents evidently did not notice when little Charlie wandered off. He had much to see in his new surroundings. On his own, he went through most of the buildings then on the Young Harris campus, exploring as a little boy will all the nooks and crannies of strange and exciting places. Missing him, someone in the family finally found the little boy Charlie and rescued him. But a standing joke in the family was that Charlie was the first to "go through" Young Harris College, and that at the tender age of not even three years old. Later, many of the Jenkins family of Pat and Mariah's children, as well as their subsequent generational descendants, would begin their college careers at the college. Honorable Edgar Jenkins himself was graduated from the college, later served on the Board of Trustees, and set up a scholarship fund that benefits students attending there. It was also at the college where little explorer boy Charlie learned early to be an excellent athlete. He excelled in basketball, baseball and tennis. Later, in 1927, he played professional baseball with the Florida State League, pitching fifteen games and winning thirteen. He was noted for his fast overhand pitch.

The Jenkins Store in Young Harris was a popular place, not only for necessary shopping but for sharing viewpoints on the state of the community, county, state, nation and world. A checkerboard with chairs (and probably near a pot-bellied stove in winter to ward off the cold) was an inviting place. Noted instructors Dr. Joe Sharp and Professor W. S. Mann frequented the store. They were also fishing and hunting companions with store proprietor Pat Jenkins. It was not unusual to see a sign on the store door on rather slow days: "Gone fishing; be back soon if the fish aren't biting." Probably on Mr. Pat Jenkins' absences from the store, Mrs. Jenkins or one of the older children would answer the summons by the store bell to go unlock the door and wait on the customers.

Mr. Jenkins' tenure as a merchant in Young Harris was short-lived, however. He died on December 16, 1910, and the store was closed. Mrs. Jenkins continued to run what was known as "The Jenkins House," somewhat like a bed-breakfast-and meals, where "drummers" or traveling merchants liked to eat. She was noted as an outstanding cook. Two of her sons, Charlie and Will, learned to cut hair. They became the community barbers, carrying on their business in the Jenkins House. Charlie Jenkins followed his barbering talents for some years at the Jenkins Barber Shop in Blairsville prior to his years of serving as a Tennessee Valley Authority public safety officer.

Charlie Swinfield Jenkins married Evia Souther on June 30, 1929. They planned to elope, and sought out the Rev. Henry Brown to perform their ceremony. They found him preaching in a revival at Brasstown Church near Young Harris. After the service was over, he performed their marriage ceremony outside the church house, with the congregation looking on.

No keeping their marriage secret after that.

Mariah Louisa Sawyer Jenkins died February 27, 1950. She was laid to rest where her husband had been interred in the Old Union Baptist Church Cemetery, Young Harris. Following her death, the Jenkins House was sold to Young Harris College. The Pruett-Barrett building now stands on the land where the Jenkins family lived. The seven children who grew to adulthood from the union of Patterson Levi and Mariah Louisa Sawyer Jenkins have produced many descendants of this outstanding couple who moved to Towns County in the winter of 1906 from Graham County, NC.

cJanuary 26, 2012 by Ethelene Dyer Jones; Reprinted by permission. All rights reserved.

Thursday, June 22, 2006

The 'Sacred Harp' Tradition of Singing

Sometimes it is called 'fa-sol- la" singing. Passed at first by oral tradition long before they were published in tune books, the metrical hymns and psalms of Isaac Watts and others were an important part of frontier worship as groups met first in homes and then in a church house built where they set aside an acre or so of land for a church.

This method of singing was taught in widely-practiced singing schools in the south, beginning in the 19th century. The song leader would announce a tune, known to most people, and then "line out" the words to go with that tune. The preacher or the song leader would often be the only one in the congregation to have a book. By repetition, the members would soon learn the words of the song. When "New Britain C. M." was announced as the hymn tune, the singers would know that "Amazing grace! How sweet the sound," the inimitable words by John Newton (1725-1807), would be sung to the announced tune. "C. M." stood for common meter, a metrical count of syllables in the phrases of the song being 8.6.8.6. The version of this beloved hymn we so often sing now was published in Virginia Harmony in 1831 and repeated in subsequent hymn books even to the present day. It was also in Jesse Mercer's Cluster.

Much of this singing tradition has been attributed to the "Old Baptists," although other denominations like Presbyterians, Mennonites and Methodists also sang the old tunes to sacred words. Why, then, were so many of them attributed to Baptists? George Pullen Jackson formerly a professor of music at Vanderbilt University in his Story of the Sacred Harp, states that "freedom" has always been a watchword of the Baptists. Prior to and during the Revolutionary War, Baptists worshiped freely, without centralized religious authority. They wanted no part of the established religious orders and state churches practiced in some of the colonies. They did not want even their singing linked to what they considered governmentally controlled denominations.

Most of the Old Baptist tunes found in the early years were secular songs with religious texts. They were remembered tunes that our ancestors sang in the hills of Scotland, Ireland, England and Wales and brought to America with them. These tunes had been "spiritualized" with words written to show Christian experiences. For example, the minor-key hymn, Wondrous Love was set to the tune of a song about Captain Kidd, pirate.

Fortunately for the hymn, the tune name was given Wondrous Love, not Captain Kidd. The meter in the old folk song in a minor key carries well the words of "Wondrous Love": "What wondrous love is this! Oh! my soul, Oh! my soul! What wondrous love is this, oh! my soul! That caused the Lord of bliss, To bear the dreadful curse for my soul, for my soul, To bear the dreadful curse for my soul!" We don't know who penned the words for the four-stanza hymn in its irregular (12, 9, 6, 6, 12, 9) rhythm. Even modern hymm books list the words as being An American Folk Hymn. It was published in William Walker's Southern Harmony in 1835. Benjamin Franklin White collaborated with Walker in compiling Southern Harmony, but when Walker took the manuscript to New Haven, Connecticut to be published, he did not include White's name as co-author/compiler.

Evidently, this breached the friendship of the two musicians. Ben White packed up his family and moved from Spartanburg, S.C., to Hamilton in Harris County, Ga. There he became editor of the local newspaper, The Organ. He also began working on The Sacred Harp songbook. Many of the songs he published in the newspaper. In 1844 the whole collection of songs was compiled by B. F. White and Joel King and published by Collins Press, Philadelphia. Subsequent editions came out in 1859 and 1860. The hymnbook was reprinted in 1968 by Broadman Press, Nashville, Tenn. White and King's Sacred Harp became the official music book of the Southern Musical Convention in Upson, County, Ga., (1845), the Chattahoochee Musical Convention, Coweta County (1852), and the Tallapoosea Singing Convention in Haralson County (1867) and countless other Singing Conventions as they organized in counties after the Civil War. The book was popular not only for its songs but for the Rudiments of Music, a 21-page manual of music instruction which was often used by singing school teachers.

The Union County Singing Convention held at the court house in Blairsville was an all-day event and well attended by singing groups from the mountain areas of Georgia, North Carolina and Tennessee. Some of the singing school teachers of the 1930s and 1940s were the Rev. James Hood and Mr. Frank Dyer of Union County, and Mr. Everett Prince Bailey of Fannin County, GA and Polk County, Tenn. Groups of Sacred Harp musicians still meet and sing the old songs. Noted names among them are descendants of B. F. White and the Denson Brothers, Howard and Paine; families of McGraws, Kitchens, Cagles, Lovvorns, Parrises, Manns, Drakes and others, some in the fifth generation of those who contributed to the Sacred Harp back in 1844.

In Watson B. Dyer's Souther Family History, (1986), page 154, he printed in our great grandmother's handwriting (Nancy Collins Souther [1829-1888], wife of John Combs Hayes Souther [18271891]), a copy of a song they were learning at church. She had written the words April 13, 1868. I was thrilled to see the words of the song that had been "lined out" as my great grandmother wrote them. She wrote:

"Come all ye righteous here below,
O hal-le, hal-le-lu-jah.
Let nothing prove your overthrow,
O hal-le, hal-le-lu-jah.
But call on Me both day and night,
O hal-le, hal-le-lu-jah.
And I'll visit you with delight,
Sing glory, hal-le-lu-jah!"

She penned words to other stanzas as well. I looked in the reprint of White & King's Sacred Harp for the song my great grandmother wrote out to help her memorize the words. I found the tune, "The Good Old Way" (L.M.-long meter) with the refrain, but the words given for the stanzas in the song book were not a match for what my ancestor wrote. There were many versions of the stanzas, as various people were inspired to write verses to fit tunes. I felt a deep kinship with her. The words she wrote fitted a commonly used tune she sang as she worshiped in the little New Liberty Baptist Church in sight of her cabin. She had a desire to participate more readily in the services by knowing the words to a song they enjoyed singing there. She was the mother of ten children. Maybe she gathered them all around and they had a little Souther choir at home as she taught them the words to The Good Old Way tune.

c2006 by Ethelene Dyer Jones; published June 22, 2006 in The Union Sentinel, Blairsville, GA. Reprinted by permission. All rights reserved.